Curated by Eckhard Thiemann, IDFB 2010’s Outspoken Weekend saw an array of new performances, talks and workshops by Arab artists from Algeria, Tunisia, Egypt, Iraq, Lebanon and Morocco.
The weekend kicked off with a diverse Triple Bill at The Patrick Centre, Birmingham Hippodrome, featuring works from Ahmed Khemis, Salah El Brogy and Muhanad Rasheed (Iraqi Bodies). We managed to catch up with Ahmed and Salah to have a chat about their work and a bit about their dance history.
Next up, we welcomed The Assassination of Omar Rajeh, a piece covering the political killings of journalists in Lebanon. Dancer/choreographer Omar Rajeh of Maqamat Dance Theatre talks about his work in the video below:
A Double Bill at Ikon Eastside featured Meryem Jazouli’s Kelma (The Word), based on the life and poems of famous Palestinian poet, Mahmoud Darwish, followed by Iraqi Bodies’ Insomnia, created in Iraq in 2005.
Aataba (The Threshold) was performed at The Patrick Centre and below, Moroccan choreographer Taoufiq Izeddiou talks about this work.
Nacera Belaza’s Le Cri, a physical and emotional tour de force and combined Arabic chanting, Maria Callas vocals and disco beats, and Les Sentinelles , an exclusive preview prior to its premiere in Paris, brought the weekend to a thrilling close.
To see the photos, visit the IDFB Flickr Page or join us on Facebook.
Our IDFB Outspoken Weekend was supported by The British Council. It was also one of the outstanding projects granted the London 2012 Inspire mark, the badge of the London 2012 Inspire programme which recognises exceptional and innovative projects inspired by the 2012 Games. Find out more about the Inspire Mark here.
