Performances

This week begins with the glitz and the glamour of Strictly Come Dancing – The Professionals at Birmingham Hippodrome. Between Tuesday and Sunday you’ll be able to see the world champion dancers from the smash-hit BBC TV series as they take to the stage.

Chanta La Mui – a trio of young dancers who have enjoyed excellent reputations as soloists – will be bringing flamenco to Town Hall on Wednesday and Thursday. Complot is flamenco with a contemporary twist, while Recital goes back to the dance’s traditional form.

On Friday and Saturday, Akram Khan returns to his classical roots with Gnosis at Town Hall. Gnosis is a story in four parts told using kathak, the most expressive of classical Indian dance forms, to explore the inner and outer battles of characters both human and godly.

Family Weekend

The week ends with IDFB 2010’s Family Weekend. Funny Bones is a stimulating interactive dance experience for young audiences and can be seen on Friday and Saturday at the Patrick Centre.

On Sunday there’s the exciting, rhythmic spectacle of Echoa, also at The Patrick Centre. There are pre and post-show workshops for Funny Bones and Echoa for children to get involved in.

Talk to us

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If you’re planning to go along to any of the events, or if you’ve enjoyed any of the ones so far, then let us know. We love hearing from you and thank you for the great messages you have been sending us.

The Performances

The world-renowned Ballet Nacional de Cuba presents a stunning mixed bill Magia de la Danza at Birmingham Hippodrome, featuring a special guest appearance from Carlos Acosta on the Tuesday and Wednesday evenings.

At The Rep, we have the extraordinary Sutra by celebrated Flemish/Moroccan choreographer Sidi Larbi Cherkaoui in collaboration with Turner Prize-winning artist Antony Gormley and 17 Monks directly from the original Shaolin Temple in China. This show has had fantastic reviews, and is definitely a must-see.

Meanwhile, The Patrick Centre presents a hilarious double bill; Pere Faura’s ‘This is a Picture of a Person I Don’t Know’ and Club Fisk’s Forestillinger, Birmingham Hippodrome hosts Ballet Nacional de Cuba’s Giselle, and The Rep has circus-inspired spectacular CIRCA.

The IDFB 2010 Shop will also be open in the Pavillions shopping centre, with classes, rehearsals and opportunities to get involved in the Put Your Foot Down event. You can also buy tickets and merchandise or chat to the IDFB team and find out what’s coming up in the Festival.

Free events

There are free performances of Utopia in Victoria Square on Saturday, Sunday and Monday. Directed by Arthur Pita, Utopia combines contemporary dancers with Russian, Spanish, Indian and African folk dance groups, all moving to the turbo-folk Gypsy and Balkan beats of Birmingham’s very own band, The Destroyers. Don’t miss this free global dance spectacular.

Outspoken Weekend

Supported by the British Council, the Outspoken Weekend starts on Thursday with a range of performances, talks and films celebrating dance from Algeria, Egypt, Iraq, Lebanon, Morocco and Tunisia. Outspoken is the first UK performance season dedicated to new choreography from Arab artists, and features exclusive previews and thought-provoking discussions. You can see the full line-up here. Some of the Outspoken events are free – for the others, individual tickets are available, as is a £30 weekend pass.

It’s a busy festival with lots going on, so to keep up to date with what’s happening follow IDFB on Twitter and sign up to the Facebook Page. Please also let us know what you go to see – we’d love to hear from you about what you’re enjoying in IDFB 2010!

Last night International Dance Festival Birmingham’s funders, sponsors, organisers and friends came together for the festival’s official unveiling.

After a joint performance by 2FaCeD DaNcE Company, Rosie Kay Dance Company and cossack dancer Bruce Tetlow, festival co-directors David Massingham (DanceXchange) and Stuart Griffiths (Birmingham Hippodrome) took to the stage to welcome everybody and announce a phenomenal line-up of international talent.

The launch pack handed out to guests has details of the festival programme and can be downloaded below, along with a press release from festival sponsor Brewin Dolphin (right-click and save as on the following links):

• IDFB 2010 Launch Pack
• Brewin Dolphin announces IDFB sponsorship

You can listen to Stuart and David’s speech here:

There are more photos and some video from the evening, which we’ll post here when we receive them. In the meantime, last night’s event left those who attended in no doubt that International Dance Festival Birmingham 2010 will be something exceptional.

International Dance Festival Birmingham 2010 is produced by DanceXchange and Birmingham Hippodrome, and funded by Advantage West Midlands, Arts Council England West Midlands, and Birmingham City Council.  It is also sponsored by Brewin Dolphin, has a Media Partner (BBC WM) and Accommodation Partner (Crowne Plaza Birmingham City Centre), and is part of the West Midlands’ Culture Programme for 2012.

In the picture above:

• Back row, L-R: Chris Linda (Rosie Kay Dance Company), Mathew Chambers (2FaCeD DaNcE Company), Johnny Autin (2FaCeD DaNcE Company), Stuart Griffiths (Co-Director IDFB), John Driver (Divisional Director, Brewin Dolphin), David Massingham (Co-Director IDFB), Tamsin Fitzgerald (Artistic Director, 2FaCeD DaNcE Company), and Rosie Kay (Director, Rosie Kay Dance Company)
• Front row, L-R: Robby Graham (2FaCeD DaNcE company), Tilly Webber (Rosie Kay Dance Company), Bruce Tetlow, Nathan French (2FaCeD DaNcE Company)

The inspiration for the International Dance Festival came from the 2002 industry conference British Dance Edition. Delegates were impressed by the city’s infrastructure of dance venues teamed with a diverse number of established dance organisations in the region. The idea of bringing Birmingham’s dance resources to the world’s attention was floated and the International Dance Festival Birmingham was born.

Co-Director of the festival David Massingham taking part in the closing Salsa at Sunset event in 2008

David Massingham, artistic director of DanceXchange, is also co-director of International Dance Festival Birmingham along with Stuart Griffiths, chief executive of Birmingham Hippodrome. Massingham nurtured the first seeds of the festival and saw it grow into one of the biggest dance festivals in the world – putting Birmingham on the map as a stage for groundbreaking and exceptional dance.

Last year’s festival attracted some 25,000 people from all over the UK and used venues across Birmingham including the Town Hall and Victoria Square, with 60 performances over four weeks. Alongside the shows, professional workshops and educational sessions encouraged newcomers to experience dance activities and develop dance partnerships. The economic impact on the city was huge, bringing an estimated £4.3 million to Birmingham.

With plans for the 2010 festival well underway, Massingham is already looking to fresh commissions for 2012, hoping to help the festival grow deeper into the city while maintaining its international scale. Using the festival to put Birmingham at the centre of the global dance map ties in neatly with the Hippodrome’s plans to make the city a national centre for dance. He said:

“It felt natural that a new dance festival needed to be built for Birmingham. Although Birmingham had a lot of festivals I felt it could have a larger impacting festival.

“A big thing reason why it works in Birmingham, is that Birmingham is a multicultural city and dance is a non-narrative form in many respects – dance and a mixed society of people go together very well. Birmingham is also one of the youngest cities in Europe, and dance and youth also fit nicely together. The thinking behind this project, as well as the Hippodrome becoming a national centre for dance, is to bring together all these strands of thinking. The three companies together (Birmingham Royal Ballet, the Hippodrome and DanceXchange are all housed in the same building) make up one of the biggest dance hubs in the country – with only Sadlers Wells and Leeds. The dance festival is a shop window for the dance that does go on here.”

Birmingham is already home to a diverse range of dance styles – from ballet to bhang – and the festival hopes to capitalise on the city’s flourishing  and vibrant dance scene, while inviting companies from across the globe to come and perform and collaborate here.

“Dance festivals around the world usually focus on contemporary ballet,” Massingham said. “While there is a lot of contemporary in this festival, it will also have flamenco, ballet, folk dance, South Asian dance – all international projects or work – which gives the festival a focus and ethos that makes it unique. British artists who take part have an international angle for their work.”

The festival also aims to provide performances which cater for audiences who may have never stepped inside a theatre, as well as those who consider themselves dons of dance. Massingham wants to challenge preconceptions about what dance is or can be. He said:

“Some people think dance is a niche thing, but we wanted to blow that idea out of the water. The 2008 festival set out to be mainstream at times – with bigger events such as Havana Rakatan at the Hippodrome and Watch This Space in Victoria Sqaure – and at other times there were performances for small audiences such as Saburo Teshigawara dancing on a field of glass. This festival needs to see small niches as part of a big festival.

“Some people don’t buy tickets for theatres but do want be in a lively city and to see events. Taking dance out onto the streets, out of its institution buildings, and making it available to everybody is what we want to do.

“Dance covers many things and as long as there’s dance in it, it can be part of our festival.

The 2010 festival will include new work alongside productions that have been successful elsewhere – and it also hopes to engage better with other cities in the region, such as Stoke, Coventry, and Wolverhampton.

Performances are still in the process of being finalised and the programme is due to launch later this month – so watch this space.

Excited about next year’s programme, Massingham said:

“We hope that audiences who might go and see one thing will then go and try something else. We’re trying to go deeper into the city and make sure we’re on the world stage; putting Birmingham on the map as a dance destination. London is amazing but we can do it too.

“We’re being bold and will get bolder with commissioning as we get more established. We value the audiences and once the message gets out about the 2010 festival  we hope people will come from all over.”